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中国古典白话小说具有两个显著的结构特征,即“联缀性”结构和“头回”故事的运用。联缀式结构是中国长篇白话小说特有的结构特点。在正文前面加一个内容独立的“头回”故事则是话本小说即短篇白话小说的结构特点。通过对汤亭亭的重要作品《中国佬》的细读,可以见出它是汤亭亭对中国古典小说进行创造性借鉴和模仿的结果。通过对中国古典小说结构的戏仿,作品并置官方历史记录和虚构的华裔历史故事,质疑和颠覆了貌似客观的官方历史的权威,从而实现了对华裔历史的重访和再创造。
Chinese classical vernacular novel has two significant structural features, namely, the use of the “conjunctive” structure and the “first back” story. The polygamy structure is the peculiar structure characteristic of the Chinese long vernacular novel. In the front of the text plus an independent “back to ” story is the textbook novel that is the structural characteristics of short vernacular novels. Through the reading of Maxine Tingting’s important work “Chinaman”, it can be seen that it is the result of Maxine Hong Kong’s creative reference and imitation of Chinese classical novels. Through the imitation of the structure of Chinese classical novels, the juxtaposition of official historical records and fictional Chinese historical stories, the author queried and subverted the seemingly objective and authoritative authority of the official history, thus revisiting and recreating Chinese history.