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在《纯粹理性批判》中,康德将先验感性论与先验逻辑并置。在这一看似并无深意的结构安排下,菹含着康德对Asthetik的特殊定位。即当先验逻辑在对先天综合判断的先验综合中、强调这一综合的逻辑方式时,先验感性论也有其不同于逻辑方式的另一种综合方式,即asthetisch方式。而这第一批判中潜在的综合方式在《判断力批判》中获得了主导地位,并展示出自身的内涵。
In Critique of Pure Reason, Kant collocates transcendental sensitivism with transcendental logic. Under this seemingly unrelated structural arrangement, Kant embodies Kant’s special positioning of Asthetik. That is, when a priori logic emphasizes this comprehensive logical method in a priori synthesis of innate comprehensive judgment, transcendental sensitivities also have another asthe integrated approach that is different from the logical one, the asthetisch approach. However, the latent comprehensive method in the first critique has gained the dominant position in Critique of Judgment and shows its own connotation.