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马王堆一号墓T形帛画,出土地有着丰厚的楚文化遗留,在汉代人们仍保持有崇尚鬼神,相信巫术这些特征,所以道家的思想在楚文化的遗留地有着更深刻的影响。人们相信灵魂存在,认为肉体死亡后,灵魂是不灭的。在这种观念的影响下,引魂升天作为墓葬的主题就成了必然的选择,这幅帛画中描绘的神秘世界,正充分表达了墓主人希望灵魂升天的美好愿望。
Mawangdui T-shaped silk painting, unearthed with a wealth of Chu cultural legacy, in the Han Dynasty people still maintain the worship of ghosts and gods, believe these characteristics of witchcraft, so the Taoist thought in the Chu culture has a more profound impact on the legacy. People believe in the existence of the soul, think that after the death of the body, the soul is immortal. Under the influence of such a concept, ascended the throne as the theme of tombs became an inevitable choice. The mysterious world depicted in this painting fully expresses the good wishes of the tomb masters who wish the soul to ascend.