听列“近30年来中国美术的影响力”这个议题,我的第一个反应就是：20世纪90年代的中国美术不如80年代有影响。回头想想,我为什么会有这种反应呢?我又凭什么来判断这“影响力”的大小? 当然,引起我这种反应最直接的原因是作品,是这些年来的作品留给我的印象——这影响并不停留在我个人的经验层面上,而是浮动在社会公众领域,是与非自有公论。那么,对这影响力的直接判断似乎就来自作品的社会性功能了。什 Listening to the column “The Influence of Chinese Fine Arts in the Past 30 Years”, my first reaction was that Chinese art in the 1990s was not as influential as the 1980s. And then why do I react to this reaction? How can I judge the size of this “influence”? Of course, the most direct reason for my reaction is the work that has been left to me by the works of these years Impression - this influence does not stop at my own level of experience, but floating in the public domain, with non-own public opinion. Then, the direct judgment of this influence seems to come from the social function of the work. What