曾经有人问罗丹,你的雕塑那么咄咄逼真,楚楚动人,是不是有什么神工斧凿之奥妙?罗丹说,我只是把多余的削去了。这话说得何等精当。其实,不仅雕塑大师在塑像上是这样,就是电影导演在构思影片上亦概莫能外。他在对全片的布局满篇、剪裁结构上,总要理头绪,削枝蔓,凡与题旨无关的,毫不可惜地忍痛割弃,使之成为一个完整的精美艺术品。由著名电影艺术家张骏祥同志总导演的影片《大泽龙蛇》,在这方面就取得了许多可喜的成就。从《大泽龙蛇》的全片来看,它要着力表现的是一九二七年大革命失败前后,我党领导的江西萍乡路矿工人的武装斗争,着力塑造在 Someone once asked Rodin how your sculpture was so lively and graceful. Is there any mysterious thing that Gods can not do? Rodin said I just cut away the excess. How precise these words are. In fact, not only is the sculpture master doing the same on statues, but also the film director is no exception in the concept films. He is full of the whole film layout, tailoring the structure, always manage thread, prickly branches, who have nothing to do with the subject, reluctantly reluctantly abandoned, making it a complete exquisite artwork. The film “Daze Long Snake”, directed by comrade Zhang Junxiang, a famous movie artist, has made many promising achievements in this regard. From the whole film of “Daze Long Snake”, it is trying hard to show the armed struggle of miners in Pingxiang, Jiangxi Province led by our party before and after the failure of the Great Revolution in 1927,