本文主要分析了被称为新女性主义代表作的影片《再见爱丽丝》的男权樊篱。主要分两大部分来论述影片的男权色彩:故事中女主人公形象构造上的男权樊篱和影片本身“叙事话语”的男权樊篱。本文认为该片在沉重男权樊篱下也被打上了男权的鲜明印记,而是否能称为新女性主义代表作让人怀疑。 This article mainly analyzes the patriarchal line of the film “Goodbye Alice”, which is called the new feminist masterpiece. Mainly divided into two parts to discuss the patriarchal color of the film: the patriarchal structure of the heroine’s image in the story and the film itself “male-dominated” narrative discourse. This paper argues that the film has also been marked by a patriarchal clan under the heavy patriarchal line of authority, and it is doubtful whether it can be called the new feminist masterpiece.