论文部分内容阅读
不知何时,贺岁档已难见国产喜剧片的身影。当冯小刚转而在银幕上书写悲悯,港式喜剧又遭遇疲软之时,囧途系列成为中国电影市场上的神话,一再刷新票房记录。有媒体如此形容囧途系列的成功:“如果说两年前的《人在囧途》是朴实的精致讨巧,那么《泰囧》则可以用缤纷的五味俱全来形容。”2012年岁末,在《少年派》乘风破浪的奇幻漂流、《一九四二》国贫家弱的被迫逃荒以及《王的盛宴》血雨腥风的苍凉岁月之后,观众似乎迫不
I do not know when, Lunar New Year file has been difficult to see the figure of domestic comedy. When Feng Xiaogang turned to writing compassion on the screen and Hong Kong-style comedy suffered weakness again, the 囧 way series became the myth of the Chinese movie market, repeatedly refreshing the box office records. Some media so describe embarrassing success of the series: “If two years ago,” people in the embarrassing way “is a simple and exquisite way, then” Thai embarrassing “can be colorful with all kinds of taste to describe.” “2012 years old At the end of the day, the audience seemed forced to abandon the ”rafting“ wave of youngsters, the fledgling famine and the weakness of the ”poor“ families who were forced to flee from the ”1942“ and the bleak years of bloody ”king’s feast"