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英国剧作家谢弗在其剧作《伊库斯》中,通过描述西方基督文化中成长的少年艾伦超出流俗的行为,展示了人与外在世界、人与自身信仰、人与自身所处文化环境难以调和的矛盾和冲突,探析了作为主体精神的“上帝”和作为客体精神的“上帝”对主体人格的不同作用和影响,揭示了作为主体的“人”在精神界域中的尴尬处境和难以突破的悖论和怪圈,是现代和后现代“人”之精神家园的突围和重建。
In his play “Ixus,” English playwright Shaffer shows how people and the outside world, people and one’s own beliefs, people and oneself live by describing the growth of adolescent Allan in Western Christian culture. The incomparable contradictions and conflicts in the cultural environment, analyzes the different roles and influences of “God” as the main spirit and “God” as the object spirit on the subject’s personality, and reveals the awkwardness of the “person” as the main body in the sphere of spirit The paradox and the vicious circle of situation and hard-to-break are the breakthroughs and reconstruction of the spiritual home of the “human” people in the modern and post-modern times.