一、两个值得研究的问题 几十年的歌剧音乐,女腔大都成功,流传极广。男腔流行的则不多,甚而太少。这是一个相当重要的课题。这方面,唯《白毛女》等是例外。杨白劳的唱腔与喜儿的唱腔都传于世,彼此交辉。杨白劳的戏很少,唱的也不多。可见,唱的多少与流传或不流传并不是一回事。杨白劳与喜儿同场的唱腔是一枝两桠的派生体,然而各有特征,性格与气质不一。杨白劳除与喜儿的分腔是采用戏曲的手法之外,杨本身的唱腔 First, the two issues worth studying The decades of opera music, most of the female cavity success, widespread. Men are not popular, even too few. This is a very important issue. In this respect, the only exception is the “White-Haired Girl”. Young Bai Lao’s singing and Xi Er’s singing are all around the world, each other cross-hui. Young Bai Lao drama rarely sing too much. Can be seen, how much to sing and spread or not spread is not the same thing. Yang Bailao and Xi’er singing with the same field is a derivative of two, but each has its own characteristics, personality and temperament. Yang Lailao and Xi’er sub-chamber is the use of opera practices, Yang’s own singing