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本文将莫言的文学创作和写作理论与刘再复的文学主体性理论相比较,作为一种有效的理论策略来阐释莫言。二者相互映衬,相得益彰。文学主体性理论能深刻提示莫言创作的内涵和独创性,莫言鲜活的创作实践和文学观念能验证、丰富和发展文学主体性理论。还可以以文学主体性理论检验莫言创作上的得失,在发展中实现新的转型和突破。对刘再复和莫言的比较研究还可引发对文学理论若干问题的探索和反思。
This article compares Mo Yan’s literary creation and writing theory with Liu Zaifu’s literary subjectivity theory, as an effective theoretical method to explain Mo Yan. The two against each other, complement each other. Literary subjectivity theory can deeply remind Mo Yan’s connotation and originality, Mo Yan’s vivid creative practice and literary concept can verify, enrich and develop literary subjectivity. It is also possible to test the pros and cons of Mo Yan’s creation with the theory of literary subjectivity and achieve new transformation and breakthrough in development. A comparative study of Liu Zaifu and Mo Yan can also lead to the exploration and reflection on some issues in literary theory.