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论及两种表演艺术门类相互“借镜”的来由,主要是从话剧如何在地化民族化的长考肇始,在二十年话剧、戏曲两个表演艺术门类并行、交叉剧场作业过程中,如何将戏曲演出的简朴美学精髓渗透到话剧创作中来,又如何将话剧的当代意识挹注到戏曲新剧目创作中去。始于清光绪三十三年(1907)的西洋戏剧,迄今进入中国百余年,在地称之为“话剧”。话剧落地便要生根要开花要结果,就必须要被民族化在地化,自然需汲习本土戏曲的美学原则、美学思想和精神以及艺术方法,并将其有机合理高效地融汇与贯
On the two kinds of performing arts classes each other “borrow mirror ” of the grounds, mainly from the drama how to nationalize the long test began, in two decades drama, drama two performing arts classes parallel, cross the theater process How to infiltrate the essence of simple aesthetics of opera performances into drama creation and how to inject the contemporary awareness of drama into the creation of new drama productions. Western drama began thirty-three years Guangxu (1907) of the Western drama so far entered China for more than a hundred years, known locally as “drama ”. It must be nationalized and localized. It is naturally necessary to learn the aesthetic principles, aesthetic thoughts and spirits and artistic methods of local opera, and integrate them organically and efficiently in a rational and efficient manner