论文部分内容阅读
透过表层理解,唐卡代表的是平坦、宽阔的意思,《藏汉大辞典》经过各类资料整理并作出以下解释,就是说包含图像的布或是纸,可用作卷轴。相比之下,《西藏历史文化辞典》则认证唐卡属于藏区十分流行的宗教卷轴画艺术,大多数情况下会在布帛和丝绢之上绘制,被认定是西藏地方独特的绘画形式。因此,笔者决定针对西藏唐卡的历史沿革和艺术特色进行系统化论证解析,希望令普罗大众能够深切观察其规模巨大的内容体系,获得前所未有的美感,同时为我国民族传统有机传承发展,提供丰富的支持动力。
Through the superficial understanding, Thangka represents a flat and broad meaning. The Tibetan-Chinese Dictionary is compiled through various kinds of data and makes the following explanations, that is, a cloth or paper containing images that can be used as a scroll. In contrast, the Tibetan History and Culture Dictionary authenticates Thangka’s very popular religious scroll art, most of which is drawn on cloth and silk, and is considered to be a unique form of painting in Tibet. Therefore, the author decides to systematically demonstrate and analyze the historical evolution and artistic features of Thangka in Tibet so as to enable the general public to deeply observe its huge content system, gain unprecedented aesthetics, and provide richness for the inheritance and development of Chinese traditional traditions Supportive power.