在写字人脑子里不是写帖的就是写碑的。就像不是男的就是女的道理是一样的。碑帖合一就是不男不女有点中性的味道。那么在中国为什么带有女性意味的帖学的地位比较高?因为主导中国艺术的是老子的思想:柔弱胜刚强。飘逸、洒脱、流便、自然都是符合这种要求的。就像大多数人喜欢白面书生而不太喜欢怒目金刚的“杀胚”(孔武有力的人)。我们都会说写帖的笔下比较弱,但很少有人会说王羲之 Writing in the minds of writers is not writing the tablet is written. The same is true of a woman who is not male or female. The combination of rubbings is a bit neutral taste. So why is the status of female students in China a higher status? Because the dominant Chinese art is the thought of Lao Tzu: weak and strong. Elegant, free and easy, stool, naturally meet this requirement. Like most people like the flourish and do not like angry King Kong “kill the embryo” (Kong Wu powerful person). We all say writing is relatively weak, but few people say that Wang Xizhi