俗话说:“三句不离本行。”这话不假。记得一位电影导演读唐诗,对杜牧的《山行》一诗进行“分镜头”:“远上寒山石径斜”是远景,“白云生处有人家”是全景,“停车坐爱枫林晚”是中景,而“霜叶红于二月花”则是特写。他还认为李白的名作《静夜思》后两句属“主观镜头”——“举头望明月”是仰视镜头,“低头思故乡”是俯视镜头。一位画家读古诗,则喜欢分析诗中的色彩,她以为“万绿 As the saying goes: ”This sentence is not fake.“ I remember a film director reading Tang poetry, Du Mu’s ”mountain“ a poem ”split shot“: ”far on the Han Shan stone oblique“ is a long-term perspective, ”Baiyun students Department “ is the panorama, ” Parking Love Maple Leaf late “is a medium-sized, and ” frosty leaves in February flower “is a close-up. He also believes that Li Bai’s masterpiece ”quiet nights“ after two sentences is ”subjective lens “ - ”look up the moon“ is looking up, ”bow to think hometown “ is overlooking the lens. An artist reading ancient poetry, then like to analyze the color of poetry, she thought ”green