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源于对马忠诚、昂扬、高贵、豪迈等精神的嘉许,对马健美潇洒的形象和姿态的喜爱,马雕塑由古至今、由中至外都长盛不衰。野外苍穹、城市中心、户牖室内、几室台阁……都有马雕塑的踪影。马雕塑一直作为城市和人居不可或缺的装饰性元素而存在。大致来看,马雕塑包括写意派和写实派两类。一般而言,出于营造美感和艺术化的需要,绝大多数马雕塑作品都是写意派,比如,静穆沉静的秦始皇马俑、雄浑古朴的马踏飞燕、厚重高古的马踏匈奴、丰润饱满的唐三彩……具体来看,汉代的马雕塑不算华丽却古朴,没有细节,但整体气势和力量巨大,洗炼简约,神情意趣充沛弥足,具有初生牛犊不惧虎豹跃跃欲试的可爱;唐代的三彩马俑鲜艳夺目,威武雄壮,自有一种雍容华
From the loyalty to the Ma Zhong-cheng, high-spirited, noble, bold and so on the spirit of commendable, Ma Jian beauty smart and like the image and posture, horse sculpture since ancient times, from the outside to the enduring. Wild sky, the city center, Hachijo indoor, several rooms Taiwan Pavilion ... ... there are traces of horse sculpture. Horse sculpture has always existed as an ornamental element indispensable to cities and human settlements. Generally speaking, horse sculptures include two types: freehand school and realistic school. In general, the majority of horse sculptures are freehand schools for the sake of creating beauty and artistic needs. For example, the quiet and quiet Qin Shi Huang Terracotta Warriors and Horses, the ancient and simple horse riding swallow, the thick ancient horse riding Hun, Rich and plump Tang Sancai ... ... Specifically, the Han Dynasty horse sculpture is not gorgeous but simple, without details, but the overall momentum and strength of a large, simple washing, full of expression full of pleasures, with the newborn calf fear of Haw Par Leap cute The colorful terracotta warriors and horses of the Tang Dynasty were magnificent, magnificent and mighty, with a graceful look