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马尔库塞的美学是一种“形式”美学,因为他的美学是以“形式”为根基来展开的,他的形式思想穿梭于历史之间,并从前人的形式理论那里汲取营养;马尔库塞的美学是一种“解放”美学,因为他的美学是以人的自由与解放为归宿的,他的基于形式之上的艺术理论,不仅对现实具有强烈的否定功能,而且对于未来具有建构功能,他的“新感性”理论与他的“新技术”理论一起,为人类“新社会”的到来做了最为完整的论证与说明;马尔库塞的美学还是一种“价值”美学,因为在技术理性控制一切,人们处于麻木与虚假的幸福,社会处于病态与单向度的情况下,唯有这种对于美的价值维度的提示才能将人们从压抑与沉睡中唤醒。
Marcuse’s aesthetics is a “form” aesthetics, because his aesthetics is based on “form ”, and his formal thoughts travel between history and from the formal theory of predecessors To absorb nutrition; Marcuse’s aesthetics is a “liberation ” aesthetics, because his aesthetics is based on human freedom and liberation, his art theory based on form not only strongly denied the reality As well as his constructive function for the future, his “new sensibility ” theory and his “new technology ” theory together make the most complete demonstration and explanation for the arrival of human “new society ”; Qusay’s aesthetics is still a kind of “value” aesthetics, for the only indication of the value dimension of beauty in the sense that technological rationality controls everything, numbness and false happiness in people, and the state of illness and unilaterality in society People can awaken from depression and slumber.