我从小在农村长大,小时候大姑父在城里当文化站站长,将许多当时的诸如《中国书法》《书法》《青少年书法》等看过后又不舍得卖的杂志,放到了我家,它们便成了我童年唯一的课外书。书里的内容也囫囵吞枣地读过很多遍,也因此对书法产生了浓厚的兴趣,但一直是胡乱涂抹。十多岁时,知道了临帖比我想象的还要重要,便每天中午放学回家,必先临40分钟颜楷。然而毕竟没有高手指点,虽字形还算准确,但笔法、墨法、章法都看不到。 When I was a child, I grew up in the countryside. When I was a child, my uncle was a stationmaster in the city and put in my house many magazines that were not sold at the time such as “Chinese calligraphy, calligraphy,” “young calligraphy,” It became my only extracurricular book of childhood. The contents of the book also read many times, and therefore had a strong interest in calligraphy, but it has always been random smear. When I was in my teens, I knew that the temporary sign was more important than I thought. Every day I went home from school at noon. However, after all, there is no expert guidance, although the font is fairly accurate, but the brushwork, ink law, the chapter law can not see.