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本文的出发点是基于对用油画这一西方媒介再现或表现静物的一个历史回顾。如果我们重读一遍20世纪伟大的人文学者贡布里希(E.H.Gombrich, 1909-2001),在他初版于1950年、之后又有16次修订的名著《艺术的故事》
The starting point of this article is based on a historical review of the use of painting as a medium for the representation or reproduction of still life. If we read again the great humanist of the 20th century, E.H.Gombrich (1909-2001), in his first edition in 1950 and then again in 16 times his famous book “The Story of Art”