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Abstract：
As an important part of Chinese Quyi folk art forms， the Quyi folk art of
ethnic minorities in southwest China has an ancient history， myriad forms， unique aesthetics， and rich cultural content. It is a vehicle which cannot be absent from the lineage of the cultural arts of the Chinese nation. Due to the historical reasons， the fact that much of it is transmitted orally， and that some of the ethnic people lack a script， there is very little research on theoretical methods and case studies in this field. This article gives a review of the research on the Quyi folk art of the ethnic minorities in southwestern China since the founding of new China. It analyzes the current status of research from three aspects， including its transmission， development and innovation， and discusses how to further enrich the academic content of the research of Quyi art forms of ethnic minorities. The purpose is to provide some references for promoting a strong development of the Quyi folk art of the ethnic minorities in the southwest China， and enriching Chinese art culture.
Key Words：ethnic minorities in southwest China； Quyi of ethnic minorities； Quyi； ethnic art
References：
Guo Xin. “feiyi”xunli—guojiaji “feiyi” xiangmu zhong de shaoshu minzu quyi（Pilgrimage of “Intangible Cultural Heritage”—Quyi of Ethnic Minorities in National “ICH”）. In Music Space，2015（5）.
Hu Zhonghui. miaozu dongzu yanjiu pianmu suoyin（Index of Research Articles on the Miao and Dong[7]）. In Journal of Southeast Guizhou National Teachers College， 1994（3）.
Huang Naixing. nanfang shaoshu minzu yinyue zai yinyue jiaoyu zhong de jiazhi（The Value of Ethnic Music in South China in the Music Education）. In Ethnic Art Studies，1998（6）.
Huang Shoubin.minzu diqu xueqian jiaoyu de wenhua shengcun celue（Strategy for the Cultural Survival in Preprimary Education in Ethnic Areas）. In Journal of Xinyi Normal University for Nationalities， 2012（3）.
Lang Yajuan. dongzu quyi yishu yanjiu shuping（A Review of the Research on the Dong Peoples Quyi Art Form）. In Journal of Guizhou University for Nationalities， 2014，（6）.
Li Hanjie.yunnan shaoshu minzu quyi yinyue ji leixin（Quyi Music of Yunnan Ethnic Minorities and Its Forms）， In Songs from Yunnan，2005（3）.
Li Ping. lun xibu diqu shaoshu minzu quyi ziyuan de wenhua tezheng—jiyu tianye kaocha de dingxing fenxi（On the Cultural Characteristics of Quyi Rescources of the Ethnic Minorities in West China—Based on Qualitative Analysis from Fieldwork）. In Guangxi Ethnic Studies，2013（2）. Pan Guangyu. cong “suona”xuanlv yinyue yishu xingtai kan baren yinyue wenhua（Seeing the Ba Peoples Music Culture from the Melody of“Suona Horn”）. In Intelligence，2012（3）.
Shi Shanbin.shilun buyizu minjie shuochang de yishu tese（On the Art Characteristics of the Buyi Peoples TalkingSinging）.In Guizhou Ethnic Studies，1994（1）.
Suolang Ciren. Guanyu fazhan xizang minzu quyi shiye de sikao（Some Ideas on the Development of Quyi Folk Art Forms in Tibet）. In Research of Tibet Art，2006（4）.
Suolang Ciren.jianlun xizang minzu shuochang yishu（quyi）pinzhong（On the Types of Quyi of the Ethnic Minorities in Tibet）. In Tibet Art Research， 1994（2）.
Wang Fangli. jianlun buyizu quyi “fenpengrao” yu “fenlanglun” de wenxue tezheng（Brief Discussion on the Literary Characteristics of the Buyis Quyi—“fenpengrao” and “fenlanglun”）. In Guizhou Ethnic Studies， 1992（2）.
Wei Jiayan. buyizu minge de chuantong xingtai ji fenlei，yinyue tedian，fengge fenxi（Traditional Forms， Music Characteristics and Styles of Buyi Traditional Folk Songs）. In Journal of Normal Univsersity for Nationalities， 2012（5）.
Wu Wenke，jiang Huiming，Gaoping. 2014 niandu zongguo quyi fazhan yanjiu baogao（A Report on the Development of Chinese Quyi Folk Art Forms in 2014）. In Research of Culture and Arts，2015（2）.
Wu Wenke. zhongguo quyi：dangxia kunjing yu fazhan duice（Chinese Quyi Art Forms：Present Dilemma and Development Measurements）. In Beijing Observations，2004（3）.
Wu Ying，Zheng Zhi.guangxi jingzu quyi changha de baohuxing kaifa celue yanjiu（A Research on the Protective Development Strategy on Quyi of Jing People in Guangxi）. In New West，2014（20）.
Yang Qinglong.shaoshu minzu quyi yu hanzu quyi bijiao chutan（A Comparative Studies on the Quyi of Ethnic Minorities and of Han Chinese）. In Ethnic Art Studies，1994（3）.
Yin Gangqing.guizhou minzu yinyue wenhua yanjiu lueying（Brief Introduction to the Studies of Guizhou Ethnic Music）. In Musicology in China，1997（S1）.
Yu Minghao. buyi “wubao” chuancheng yu fazhan（Inheristance and Development of Buyi Peoples “Five Treasures”）. In Literary Circle，2012（8）.
Zhao Shufeng.dangxia zhongguo shaoshu minzu yinyue yanjiu xianzhuang pingxi—yi boshi xuewei lunwen xuantu weili（An Analysis of the Research Status of Ethnic Folk Music in China—Taking the Related Doctoral Dissertation as a Case Study）. In Musicology in China，2014（3）.
Zhong Xiaoyong，Gong bilin. Yuanshi zongjioa xinyang dui jingpozu chuantong yinyue de yingxiang（The Influence of Primative Religion to the Traditional Music of the Jingpo People）. In Ethnic Music，2015（2）.
Zhong Xiaoyong.achangzu minzu minjian yinyue wenhua duoyuanxing tanxi（Exploration on the Diversities of Achang Peoples Folk Music Culture）. In Ethnic Music，2014（1）.
As an important part of Chinese Quyi folk art forms， the Quyi folk art of
ethnic minorities in southwest China has an ancient history， myriad forms， unique aesthetics， and rich cultural content. It is a vehicle which cannot be absent from the lineage of the cultural arts of the Chinese nation. Due to the historical reasons， the fact that much of it is transmitted orally， and that some of the ethnic people lack a script， there is very little research on theoretical methods and case studies in this field. This article gives a review of the research on the Quyi folk art of the ethnic minorities in southwestern China since the founding of new China. It analyzes the current status of research from three aspects， including its transmission， development and innovation， and discusses how to further enrich the academic content of the research of Quyi art forms of ethnic minorities. The purpose is to provide some references for promoting a strong development of the Quyi folk art of the ethnic minorities in the southwest China， and enriching Chinese art culture.
Key Words：ethnic minorities in southwest China； Quyi of ethnic minorities； Quyi； ethnic art
References：
Guo Xin. “feiyi”xunli—guojiaji “feiyi” xiangmu zhong de shaoshu minzu quyi（Pilgrimage of “Intangible Cultural Heritage”—Quyi of Ethnic Minorities in National “ICH”）. In Music Space，2015（5）.
Hu Zhonghui. miaozu dongzu yanjiu pianmu suoyin（Index of Research Articles on the Miao and Dong[7]）. In Journal of Southeast Guizhou National Teachers College， 1994（3）.
Huang Naixing. nanfang shaoshu minzu yinyue zai yinyue jiaoyu zhong de jiazhi（The Value of Ethnic Music in South China in the Music Education）. In Ethnic Art Studies，1998（6）.
Huang Shoubin.minzu diqu xueqian jiaoyu de wenhua shengcun celue（Strategy for the Cultural Survival in Preprimary Education in Ethnic Areas）. In Journal of Xinyi Normal University for Nationalities， 2012（3）.
Lang Yajuan. dongzu quyi yishu yanjiu shuping（A Review of the Research on the Dong Peoples Quyi Art Form）. In Journal of Guizhou University for Nationalities， 2014，（6）.
Li Hanjie.yunnan shaoshu minzu quyi yinyue ji leixin（Quyi Music of Yunnan Ethnic Minorities and Its Forms）， In Songs from Yunnan，2005（3）.
Li Ping. lun xibu diqu shaoshu minzu quyi ziyuan de wenhua tezheng—jiyu tianye kaocha de dingxing fenxi（On the Cultural Characteristics of Quyi Rescources of the Ethnic Minorities in West China—Based on Qualitative Analysis from Fieldwork）. In Guangxi Ethnic Studies，2013（2）. Pan Guangyu. cong “suona”xuanlv yinyue yishu xingtai kan baren yinyue wenhua（Seeing the Ba Peoples Music Culture from the Melody of“Suona Horn”）. In Intelligence，2012（3）.
Shi Shanbin.shilun buyizu minjie shuochang de yishu tese（On the Art Characteristics of the Buyi Peoples TalkingSinging）.In Guizhou Ethnic Studies，1994（1）.
Suolang Ciren. Guanyu fazhan xizang minzu quyi shiye de sikao（Some Ideas on the Development of Quyi Folk Art Forms in Tibet）. In Research of Tibet Art，2006（4）.
Suolang Ciren.jianlun xizang minzu shuochang yishu（quyi）pinzhong（On the Types of Quyi of the Ethnic Minorities in Tibet）. In Tibet Art Research， 1994（2）.
Wang Fangli. jianlun buyizu quyi “fenpengrao” yu “fenlanglun” de wenxue tezheng（Brief Discussion on the Literary Characteristics of the Buyis Quyi—“fenpengrao” and “fenlanglun”）. In Guizhou Ethnic Studies， 1992（2）.
Wei Jiayan. buyizu minge de chuantong xingtai ji fenlei，yinyue tedian，fengge fenxi（Traditional Forms， Music Characteristics and Styles of Buyi Traditional Folk Songs）. In Journal of Normal Univsersity for Nationalities， 2012（5）.
Wu Wenke，jiang Huiming，Gaoping. 2014 niandu zongguo quyi fazhan yanjiu baogao（A Report on the Development of Chinese Quyi Folk Art Forms in 2014）. In Research of Culture and Arts，2015（2）.
Wu Wenke. zhongguo quyi：dangxia kunjing yu fazhan duice（Chinese Quyi Art Forms：Present Dilemma and Development Measurements）. In Beijing Observations，2004（3）.
Wu Ying，Zheng Zhi.guangxi jingzu quyi changha de baohuxing kaifa celue yanjiu（A Research on the Protective Development Strategy on Quyi of Jing People in Guangxi）. In New West，2014（20）.
Yang Qinglong.shaoshu minzu quyi yu hanzu quyi bijiao chutan（A Comparative Studies on the Quyi of Ethnic Minorities and of Han Chinese）. In Ethnic Art Studies，1994（3）.
Yin Gangqing.guizhou minzu yinyue wenhua yanjiu lueying（Brief Introduction to the Studies of Guizhou Ethnic Music）. In Musicology in China，1997（S1）.
Yu Minghao. buyi “wubao” chuancheng yu fazhan（Inheristance and Development of Buyi Peoples “Five Treasures”）. In Literary Circle，2012（8）.
Zhao Shufeng.dangxia zhongguo shaoshu minzu yinyue yanjiu xianzhuang pingxi—yi boshi xuewei lunwen xuantu weili（An Analysis of the Research Status of Ethnic Folk Music in China—Taking the Related Doctoral Dissertation as a Case Study）. In Musicology in China，2014（3）.
Zhong Xiaoyong，Gong bilin. Yuanshi zongjioa xinyang dui jingpozu chuantong yinyue de yingxiang（The Influence of Primative Religion to the Traditional Music of the Jingpo People）. In Ethnic Music，2015（2）.
Zhong Xiaoyong.achangzu minzu minjian yinyue wenhua duoyuanxing tanxi（Exploration on the Diversities of Achang Peoples Folk Music Culture）. In Ethnic Music，2014（1）.