在中国的传统美学中,讲究天人合一,不管是画面的布局、整体画面的协调关系还是书法等等处处都包含着阴阳观,正是这些阴阳观形成了中国传统美学的基本法则,制约和支配着民族传统的审美情趣。 In the traditional Chinese aesthetics, stressing the unity of man and nature, whether it is the layout of the picture, the coordination of the whole picture or calligraphy, etc. all contain the concept of yin and yang. It is these yin and yang concepts that form the basic law of Chinese traditional aesthetics and restrict And dominated by the traditional aesthetic taste of the nation.