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中国当代作家的写作路径基本上都是先从短篇起始,然后是中篇,再后是长篇,如果模仿梁山英雄排座次列举出前二十名中国当代作家的话,百分之百是先从短篇创作起步,然后写中篇,当中短篇驾轻就熟的时候才开始涉足长篇小说。为什么不是一个相反的过程?这就涉及文学语言、文体特征、生活积淀、创作心理等复杂的因素。21世纪以来,不少写作者反其道而行之了,甚至一些没经过一定文学训练的作者也从长篇小说开始自己的写作生涯。何以如此,我以为商业化出版的诱惑与类型化写作的
The path of Chinese contemporary writers’ writing is basically from the beginning of the short, then the lengthy, and then the long, if the imitation of Liangshan Heroes ranked the top 20 contemporary Chinese writers, one hundred percent starts with the short story first, And then write the article, when the short stories when it began to get involved in novels. Why is not it the opposite process? This involves complex factors such as literary language, stylistic features, living accumulation and creative psychology. Since the 21st century, quite a few writers have done the opposite. Even some writers who have not received any literary training have started their own writing career from novels. Why so, I think the temptation of commercial publishing and type writing