周思维将绘画内在的问题作为研究对象,这使他在某种程度上成为现今使用同样媒介的这一批欧洲艺术家的异类:事实上,他所涉及的关于基础图形的思考,让他在跨越艺术和大众媒介的基础上,深入至关于抽象、轮廓和视觉概念转换的复杂对话中。而他的所在地中国。也正是这种普世主义不可或缺的一部分。“示意图”这个展览的观众寥寥无几.这一点着实令人遗憾:如果将周思维 His thinking of painting as an object of study led him to some extent to become a heterogeneous group of European artists who now use the same media: in fact, his thinking on the basic graphics involved him in transcending the art And the mass media, deep into the complex conversations about the conceptual shift of abstraction, silhouette and vision. And his location in China. It is also an integral part of this universalism. “Schematic ” This exhibition is very few viewers, which is indeed regrettable: If you think of Zhou Siwei