“涂鸦”由于其最初的生成原因和环境,导致其自出现以来本身就带有一种反传统、反主流的后现代、亚文化特质。它肆无忌惮的表达情感,自由创作的无秩序性,极大的颠覆了传统的审美。刚开始并不能称为一种艺术为大众所接受,大多存在于偏僻的“地下”空间中。它在发展过程中由于所处文化环境的变化,产生了一些符合公众审美的作品,慢慢成为一种公共艺术进入大众的视野,开始被主流艺术所接受。其艺术形式多样,表现手法创新,受到了年轻人群的喜爱和追捧,一些艺术设计师们开始挖掘其商业价值,涂鸦艺术被引用到时尚潮流以及广告设计等行业中,赋予产品和设计以新的艺术价值,使涂鸦文化向更加多元更符合人们审美追求的方向发展。 Due to its initial genesis and environment, “Graffiti ” has caused itself to have an anti-traditional and anti-mainstream post-modernism and subculture. It unscrupulously expressed emotion, freedom of creation of the disorder, greatly subverting the traditional aesthetic. The beginning can not be called an art accepted by the public, mostly in the remote “underground” space. In the course of its development, due to the change of its cultural environment, it has produced some works that accord with the public aesthetic. It slowly becomes a public art into the public’s field of vision, and is accepted by mainstream art. With its varied art forms, innovative performance techniques, and its popularity and pursuit of young people, some art designers are beginning to tap their commercial value. Graffiti art is cited in the fashion and advertising design industries, giving new products and designs to new The artistic value makes the graffiti culture develop in the direction of more diversified and more aesthetic pursuit.