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在对于生态问题的研究中,有学者认为实践美学是主客二分的、人类单向征服自然的美学。而从实践美学已有的学理基础来看,实践美学以实践为本原沟通主体与客体的关系,奠定了主客关系辨证交流的基础。在自然前提之下,实践美学以人的本质力量融合客体对象的创造性与发展,以双向对象化为过程,消除绝对的主客二分,以自由的理想目的论证了主客关系辨证统一的提升,为人与自然关系的合理解释以及生态问题的导入提供了科学完整的论证依据,具有开启新的生态视阈的转折意义。如果缺乏实践的根基与理论的拓展,人与自然生态关系的论证只能作为玄思和理想而存在。
In the study of ecological problems, some scholars think that practical aesthetics is subject-object dichotomy, and mankind conquers the natural aesthetics unidirectionally. However, from the existing theoretical foundation of practical aesthetics, practical aesthetics is based on practice as the original communication subject and object, laying the foundation for the dialectical exchange between subject and object. Under the premise of nature, practical aesthetics integrates the intrinsic forces of human beings with the creativity and development of object objects, takes the two-way objectification as the process, eliminates the absolute subject-object dichotomy, and demonstrates the unity and promotion of the dialectical relationship between subject and object for the ideal purpose of freedom. The rational explanation of natural relations and the introduction of ecological problems provide a scientific and complete basis for argumentation, which has the turning point of opening a new ecological vision. Without the expansion of the foundation and theory of practice, the argument of the relationship between man and nature can exist only as metaphysics and idealism.