自从艺术课题的自觉以来,人们总认为自己能够在那些所谓的艺术品里注入感情和意义,而所有的欣赏者,又能够像弗洛伊德、贝尔和贡布里希那样捕捉出隐藏在形式之中的自然和历史之谜,或者像康定斯基和蒙德里安那样面对形式构成本身便可进入冥想的幻景。这种表现自我、表达自我和自我表现、自我表达的强烈意念,多半建立在对自己能 Since the subject of art was consciously perceived, one always felt himself capable of injecting affections and meanings into those so-called works of art, and all the admirers were able to capture, like Freud, Bell and Gombrich, The mystery of nature and history, or the illusion of meditation that Kandinsky and Mondrian face the formal formation itself. This self-expression, self-expression and self-expression, self-expression of strong ideas, mostly based on their own can