本文通过对不同时期不同流派装饰思想的梳理,试图探讨装饰与建筑的关系本源,究其外在表现,指出“八股”现象及本位思想。 This paper attempts to explore the origin of the relationship between decoration and architecture by combing the decorative ideas of different genres in different periods, and studies its external manifestations, and points out the phenomenon of “the Eight Banners” and its standard thinking.