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台湾诗歌经过20世纪50、60年代现代主义和70年代现实主义运动的洗礼,80年代以后已进入诗思和诗艺的多元化发展时期。就诗歌艺术形式的革新而言,除了“图像诗”的视觉美学实验、突破文类边界、艺术与诗艺遇合的文体革命以外,台湾诗人在“新格律”的新探索方面亦卓有成效。其中,向阳的“十行诗”和林建隆的“三行俳句”代表了这种探索路向的创作实绩。
After the baptism of modernism in the 1950s and 1960s and the realism movement in the 1970s, Taiwanese poetry has entered the period of diversified development of poetry and poetry after the 1980s. As far as the reform of the art form of poetry is concerned, in addition to the visual aesthetics experiment of “image poetry ” and breakthrough of stylistic revolution in genre boundaries and confrontation between art and poetic art, Taiwanese poets also made new explorations in “new style ” fruitful. Among them, the positive “Ten Poems ” and Lin Jianlong “Three lines Haiku ” represents the creative performance of this exploration.