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汉代墓葬艺术中常见的双阙图,在巴蜀地区汉代画像石棺中,已形成一种十分流行并具特别含义的表达模式。然对这些石棺阙门图像的理解,学界仍存较大分歧。本文对这类石棺阙门图像作了多视角的系统考察与辨析,认为大量石棺双阙图主要为一种象征天堂之门的虚拟性图像符号,而非人间现实墓地石阙的写实性描绘。
In the Han Dynasty burial art common double Que diagram, in the Han Dynasty in Bashu portraits sarcophagus, has become a very popular and has a special meaning of expression patterns. However, the understanding of these sarcophagus Que door images, the academic community is still quite different. In this paper, we make a systematic investigation and analysis on the multi-perspective images of these sarcophagus Quemen images. We think that a large number of sarcophagus double-Que images are mainly a kind of virtual image symbol that symbolizes the gate of heaven, rather than the real portrayal of the stone Que in human reality cemetery.