“审美意识形态”论作为新时期以来文艺学最重要的概念,既要厘清概念在成熟期的理论建构,又要确定其在历史生成中的具体位置。马克思主义意识形态下的文学本质界说也是如此。“审美意识形态论”既具有整体质,又在美学意义上超越了传统的二元对立,从而具有丰富的内涵和积极的意义。 As the most important concept of literature and art since the new era, the theory of “aesthetic ideology” not only clarifies the theoretical construction of concepts in the mature period, but also determines its specific position in history. The same is true of the literary definition under Marxist ideology. “Aesthetic ideology theory ” has both the overall quality and the aesthetic duality that transcends the traditional dualism, which has rich connotation and positive meaning.