时下的书法创作,从总体趋势来看,很多作者都不甘寂寞,喜欢张扬自我意识,落实到具体实践中,就是从行草书中去谋生路,而法度严谨、规矩森严、吃力不讨好的楷书则认为发展渺茫,备受冷落。对楷书创作,笔者在近三十年的练笔中,稍有一些思考与体会,斗胆托出,以期方家与同仁指正。思考与体会之一:在新时期书法创作的空前繁荣之中,之所以行草书的创作与欣赏者更为广泛,这与时代所使然的社会审美心理的变 Contemporary calligraphy creation, from the general trend of view, many authors are unwilling, like to publicize self-consciousness, to implement the specific practice is to make a living from the cursive scriptures, and the law rigorous, rules, hard-working regular script Think slim, very cold. For regular script creation, the writer practiced pencils in the past 30 years with a little thought and experience, boldly giving advice to Fang Fang and his colleagues. One of the thoughts and experiences: Among the unprecedented prosperity of calligraphy in the new era, the reason why the writing and appreciation of cursive script is more extensive is that it is different from the aesthetic psychology of the society