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托·斯·艾略特的诗歌含义丰富、文体新颖，体现了现代主义文学的一个显著特征，即：力图以主题和意象的艺术蕴藉含糊性深化作品的道德意义、心理意义、哲学意义和历史意义，增强其表现大和感染力。艾略特的诗歌蕴藉含糊、深奥多义、意在言外。其实质意义常常超越了字面意义，多层次多方向地向外部伸展，与其它主题和意象相联系、相交融，产生出新的主题和意象，显示出文意的自身繁殖力。艾略特的诗歌并非无本之木，其根深植于西方文学传统。这一传统是一个容纳西方古往今来的作家和作品的不断发展变化并扩大的有机宏观结构。无论现代主义文学作品表面上如何背离传统，其文化和历史的根基仍是传统；其自身实质上也正是新近融进传统的一个部分。
Tuo Eliot’s poetry is rich in verse and novel in style, which embodies the salient features of modernist literature: trying hard to deepen the moral, psychological, philosophical significance and historical Meaning, enhance its performance and appeal. Eliot’s poetry implicit ambiguity, profound and polysemous, intended to make words. Its substantive meaning often goes beyond the literal meaning, extending to the outside in multiple directions and in multiple directions, linking with other themes and images, creating new themes and images, and displaying the self-fertility of the text. Eliot’s poetry is not woodless, its roots are deeply rooted in the Western literary tradition. This tradition is an organic macroscopic structure that accommodates the ever-changing and expanding Western writers and works from time immemorial. No matter how ostensibly modernist literary works depart from tradition, the foundation of their culture and history is still traditional; it is, in essence, just part of the recent tradition.