黛博拉·卡斯将一系列资源调入她的诙谐机智混搭中——艺术史、流行文化,还有身份政治策略。“我一直有这样的冲动,想要将艺术史作为现成品使用。”在2007年的时候,黛博拉·卡斯曾这样对电影制作人约翰·沃特斯说。然而,在她巨大的、灌注波普的绘画看来,卡斯可不是一个头脑冷静的杜尚派,她的借用一点儿也不优雅。来到图像时代的成熟期,通过三十年的事业追寻经验教训,卡斯剽窃(pilfered)了20世纪著名绘画的细节,夺取了沃霍尔明星的魅力用于自己犹太的、女同性 Deborah Kass brings a series of resources into her witty mix - art history, popular culture, and identity politics. “I’ve always had such an urge to want to use art history as a ready-made product.” In 2007, Deborah Kass told filmmaker John Waters. However, in her view of her immense, percussion pop art, Cass was not a cool Duchamp, and her borrowing was not elegant at all. Came to the maturity of the image age, pursued through thirty years of experience, pilfered the details of famous 20th-century paintings, captured the Warhol star’s charm for his Jewish, lesbian