电视连续剧正在越来越朝着视觉垃圾化发展,所以有更多的城市白领和青年,正在让肥皂剧淡出自己的视野,于是他们就开始越来越频繁地光顾电影院去看电影。当然,像这样的观众,原来就是本着消遣、解闷、找乐的目的去看电影的,所以如果影视评论再煞有介事地分析什么思想意义或人文精神,部跟他们的电影欣赏并无太大的关系。凡娱乐商业片,哪怕导演能在最后一个镜头里狠狠煽一把情,观众就很乐于马上将最后戏留在眼窝里的那一滴泪水回报给导演;哪怕有导演能在 TV serials are increasingly garnering visual crap so more city white-collar workers and youth are flirting with the soap opera out of their horizons and as a result they start to pay more and more attention to cinemas to film. Of course, viewers like this, who used to watch movies in pursuit of entertainment, boredom, and pleasures, would not have much to do with their movie appreciation if the film reviews were quick to analyze any thought or humanism relationship. Where entertainment commercials, even if the director in the last shot fiercely inciting a passion, the audience is very willing to immediately the final show in tears in the eyes of that drop of tears returned to the director; even if there are directors in the