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苏轼的比喻是没有什么问题的,问题的关键是画,后人不能把所有的画都拿来作为“江山”的比喻标尺,用恶俗低劣的画去衡量江山,不就是对自然美的亵渎吗?一日,与范曾先生聊画,谈到时下画人浮躁、画作低劣之风泛滥时,范曾先生说:“‘江山如画’这句话应该改为‘画如江山’,很多人的画,画得比大自然丑,根本谈不上艺术美,能做到‘画如江山’就不错了。”我戏言:“这都怪苏轼,他定了这个调子,后人才用画的标准去衡量大自然。”其实,苏轼也不是第一个把自然与绘画作比喻的人,李白笔下早就出现过“江城如画里,山晚望晴空”的温婉诗句。只是苏轼那首词《念奴娇·赤壁怀古》的影响
Su Shi’s metaphor is no problem, the crux of the problem is painting, posterity can not use all the paintings as a “Jiangshan” metaphor scale, with vulgar and inferior paintings to measure the country, is not a desecration of natural beauty On the 1st, when talking to Mr. Fan Zeng and talking about the impetuous moment of painting and the poor style of painting, Mr. Fan Zeng said: “The phrase” picturesque scenery “should be replaced by” picture as a country. “Many people Painting, painted ugly than nature, simply can not talk about the beauty of art, can be done, ’painting as country’ is not bad. ’I jokingly: This is all blame Su Shi, he set the tone, after the talent Painting standard to measure nature. ”“ In fact, Su Shi is not the first person to compare nature with painting, and Li Bai has long appeared in the ”picturesque scenery of Jiangcheng, the mountains are clear sky,“ the gentle verse . Just Su Shi’s poem ”Nuxujiao Chibi nostalgia" influence