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本文探讨了清代民间年画对此时期的玉石雕刻作品产生的重大影响,并且分析了产生影响的原因。清代民间年画与玉石雕刻艺术同时出现了繁荣的景象,玉石雕刻艺术繁荣的地区也恰是年画的高产区,玉石雕刻工匠大都来自民间,他们热爱年画并长期以来受年画艺术的熏陶,他们雕刻的玉石雕刻作品中自然融入了年画的艺术造型特点与艺术气息。清代年画在很大程度上影响了文人画的发展,因而服务于皇室贵族的山子雕也受到影响,体现出雅俗共赏的特点。总的来说,清代玉雕受年画的影响,玉雕呈现工艺性、装饰性、民俗化、生活化的特点。
This article explores the significant influence of the Qing Dynasty folk New Year paintings on the jade carving works during this period and analyzes the causes of the impact. Qing Dynasty folk New Year and jade carving art at the same time there was a boom, jade carving art is also the area where New Year’s paintings are high yielding areas, mostly jade carving craftsmen from folk, they love New Year pictures and has long been influenced by New Year’s art, they carved Jade carving works naturally into the New Year art features and artistic style. The New Year paintings of the Qing Dynasty affected the development of the literati paintings to a great extent, and therefore, the mountain carvings serving the royal aristocrats were also affected, reflecting the characteristics of the refined and popular tastes. In general, the jade carving of the Qing Dynasty was influenced by the New Year pictures. The jade carving features of craftsmanship, decoration, folklore and life.