水墨画要变革,而且必须变革,20世纪以来几代人对此已普遍形成共识,争论不休的只是如何变革,往哪个方向变革。归纳历来水墨画变革各家意见,无非几种:有在文人画传统内部借古开今的,有拓展文人画框架广泛吸收民族、民间艺术传统的,也有在保持水墨传统品位的基础上融入西方写实造型的,还有吸收西方现代主义艺术观念和技法,使水墨抽象化、符号化以至观念化的……这种种变革样式,最终归结于对传统的态度,即把传统作为资 Ink and wash paintings must be changed and must be changed. Since the 20th century, generations of people have generally reached a consensus on this issue. What they debate endlessly is how to change and in which direction to change. Summarize the various opinions of ink-wash change in the past, there are only a few: there is the tradition opened up in the tradition of literati painting, there is a wide range of literati painting framework to absorb national and folk art traditions, but also to maintain the traditional taste of ink on the basis of integrating western realism Styling, as well as absorbing Western modernist art concepts and techniques, the ink from the abstract, symbolized and conceptualized ...... This kind of change style, and ultimately due to the traditional attitude that the traditional as a capital