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吴鸿(以下简称吴):你早期的作品我不是很熟悉。但是,我觉得你的作品从圆明园时期、东坝河时期开始,一直到后来的滨河时期到现在的宋庄时期,这中间体现了某种内在的连续性。我现在能够看到的你的早期作品是仕女系列,包括后来的嘴唇系列和花朵系列,直到现在的山水系列,其实是贯穿了两条并行的线索:一条线索是和性意识,以及人内心的欲望有关系;另一条线是一种很明确的中国图式。这两条并行的线索,在你的作品中一直是同时存在着的。
Wu Hong (hereinafter referred to as Wu): I am not very familiar with your early works. However, I think your work shows some intrinsic continuity from the Yuan and Yuan Dynasties, from the Dongbahe period, to the later Songhezhuang period from the Binhe period to the present. Your early works that I can now see are Ladies’ series, including the later series of Lips and Flowers. Until now, the series of landscapes actually runs through two parallel clues: a clue is a sense of sexuality, and a human mind Desire has a relationship; the other line is a very clear Chinese schema. These two parallel clues have always existed in your work.