新时期文艺批评 ,随着国门打开和走出封闭 ,义无返顾地选择了西方的文艺批评理论作为自己本土文艺批评理论的参照。于是 ,西方各种文艺批评方法被源源不断地引进 ,注入到了已处于僵化的文艺批评领域中。这时的文艺批评确实曾为文艺创作的繁荣起过开路先锋的作用。然而 ,伴随着人们对西方各种主义“拿来”热情的冷却和文艺创作“轰动效应”的消失 ,文艺批评便失去了昔日的锐气和现实感。我们对回归沉寂的文艺批评的选择作点反思 ,是会有益处的 With the opening and closing of the country gate, literary and art criticism in the new period has voluntarily chosen western literary criticism theory as the reference of its own domestic literary criticism theory. As a result, a variety of western literary criticism methods have been continuously introduced, has been infused into the field of rigid literary criticism. Literary criticism at this time did indeed play a pioneering role in the prosperity of literary and artistic creation. However, along with the disappearance of the “sensational effect” of the cooling of the enthusiasm for “bringing” the Western various doctrines and the literary and artistic creations, literary criticism has lost its former spirit and reality. It will be beneficial for us to reflect on the choice of literary criticism that has returned to silence