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读张可欣的画,象溶进了一个童话般的梦幻世界,幽远、神奇、诡谲,有时还带有一点莫测的阴霾和险奥……是冻土地带边远地域少数民族的生活习俗引发了作者独特的感悟和奇妙的想象。在那远非生活表面景况所能含括的画面上,人们察觉了宇宙万物的勃勃生气,感应到了作者与自然生灵的交融。那是一种返回自然、回归本源的物我契合,是荡涤了尘世浮躁、混沌、污浊、邪欲的童心的外化。这里的一切,恰好验证了作者自己在一篇札记中的表白,他是在“寻找那颗永不枯竭的纯真的童心。”
Reading Zhang Ke’s paintings, like dissolve into a fairy tale-like dream world, faraway, magical, treacherous, and sometimes with some unpredictable haze and danger ... ... is the remote areas of the frozen land Minority customs triggered the author Unique perception and fantastic imagination. On the pictures far beyond the surface of life, people perceive the vitality of everything in the universe, sensing the blending of the author and nature. It is a return to nature, return to the origin of the material I fit, is to clean up earthly impetuous, chaotic, dirty, evil desires innocence. All here, just to verify the author himself in a statement of confession, he is “looking for the never-ending innocence innocence.”