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当代中国影视剧创作自进入大片时代以来,越来越重视剧中宏大的场景和华美的人物造型设计。一味追求视觉奇观和经济效益让影视人物造型的创作出现了越来越多的问题,也让广大观众对其产生了误读。当今的影视剧创作逐渐走入了一条形式高于内容的创作岔路。在过分追求视觉化、风光化的创作过程中,影视人物造型越来越注重强化的视觉效果、对传统视觉元素过度的展现。哪怕并不符合人物塑造的需要,也会为了显示视觉特色来增加作品的可看性,抓住观众。在这样的创作大环境下,逐渐形成了“解构性写实”和“形式化写意”的不良创作风气。本文将结合这两种创作现象展开讨论,以正创作之初衷。
Contemporary Chinese film and television play since entering large-scale era, more and more emphasis on dramatic scenes and gorgeous character modeling design. Blind pursuit of visual wonders and economic benefits make the appearance of film and television characters appear more and more problems, but also to the general audience misunderstood. Today’s film and television drama has gradually entered a form of writing than the content of the fork in the road. In the excessive pursuit of visualization, scenery of the creative process, the film and television character modeling increasingly focus on strengthening the visual effects of traditional visual elements over the show. Even if it does not meet the needs of the characters, but also to display visual features to increase the visibility of the work, to seize the audience. Under this environment of creation, the bad creation style of “deconstructive realism ” and “formalized and freehand ” gradually formed. This article will combine these two kinds of creation phenomena to discuss, with the original intention of creation.