论文部分内容阅读
在《诗经·国风》中,《氓》是一首反映我们祖先婚恋生活的优秀诗篇。很久以来,许多学者过多的把视角放到整个封建社会的大背景下来看这首诗,人为地给人物身上打上一些富有封建色彩的烙印,却忽视了诗歌产生时代的社会背景、婚恋习俗以及诗篇中人物的感情、个性等因素,把《氓》当作弃妇诗来看待。如《诗序》说:“宣公之时,礼义消亡,淫风大行,男女无别,遂相奔诱;华落色衰,复相背弃;或乃困而自悔,……”朱熹也说:“此淫妇为人所弃,而自叙其事,以道其悔恨之意也。”(《诗集传》)当然,“淫诗”这一说法早已
In “The Book of Songs,” “Guofeng”, “rogue” is an excellent poem reflecting the ancestor’s love and marriage life. For a long time, many scholars put too much perspective on the poem in the context of the entire feudal society, artificially imprinted the characters with feudal colors but neglected the social background of the times when poetry was born, the customs of marriage and marriage, Psalms of the characters in the feelings of personality and other factors, the “rogue” as abandoned woman poem to treat. Such as “Poetry Preface,” said: “When propaganda, courtesy disappeared, prostitution, men and women indiscriminately, then phase Ben lure; Zhu Xi also said: ”This adulteress has been abandoned by men, and since the narrative, to remorse of its meaning also.“ (”Poetry Collection Biography“) Of course, the ”prostitution" this argument already