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在我国传统绘画中,写意花鸟画最能代表文人画的品质和气质,美术史学家、理论家一般认为:文人参与绘画创作和评论是中国文人画兴盛和发展的重要原因。中国文人对于诗、书、画、印的综合修养,对于个性才情的发挥和张扬,对于主观情感的宣泄和传递,造就了文人写意画的本质特征,所以有明代徐渭(青藤)开创,经由八大、石涛、“扬州八怪”的传承,在近代又由吴昌硕、齐白石、潘天寿三位大师将写意花鸟画推向历史的
In traditional Chinese painting, freehand painting of flowers and birds represents the quality and temperament of literati painting. Art historians and theorists generally hold the view that the participation of literati in painting creation and commentary is an important reason for the prosperity and development of Chinese literati painting. Chinese literati’s comprehensive cultivation of poetry, calligraphy, painting and printing has played an important role in displaying and disseminating the individual’s talent. The catharsis and transmission of subjective feelings has created the essential feature of the literati’s freehand painting. Therefore, Xu Wei (ivy) Eight, Shi Tao, “Yangzhou eight strange ” heritage, in modern times by Wu Changshuo, Qi Baishi, Pan Tianshou three masters will be freehand flower and bird painting to the history of