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在现代小说中形式问题被强调到非常重要的地位。一部小说一旦完成就立即发生了朝着两个方向的争端:一个是向着这部小说内容的分析和解剖,一个是向着这部小说具有某种意味的抽象。前者是传统的批评,在一些现代流派作品面前,传统的批评有点捉襟见肘;后者是诗学意义上的审美,当前者向作品内部抽取、离析时,后者却是向作品外部寻找抽象,以取体悟。
The problem of formality is emphasized to a very important position in modern novels. Immediately after the completion of a novel, disputes have taken place in two directions: one is the analysis and dissection towards the contents of the novel, and the other one is an abstraction that has a certain meaning toward the novel. The former is a traditional criticism. In the face of the works of some modern schools, the traditional criticism is somewhat stretched. The latter is a poetic sense of aesthetics. When the current artist draws and divides the interior of the work, the latter looks for the abstract outside the work in order to Take comprehension.