诗画互动,一旦诗题画上,画即与诗浑然一体,题诗可谓“醉”入画中。诗中有画,画中有诗,为历代文人所倡导。山水画中的诗画关系亦然。苏轼在题跋中写到:“味摩诘之诗,诗中有画;观摩诘之画,画中有诗。诗曰:‘蓝溪白石出,玉川红叶稀,山路元无雨,空翠湿人衣’。此摩诘之诗。或曰:‘非也,好事者以补摩诘之遗’”(《东坡题跋》下卷《书摩诘蓝田烟雨图》)这里所引的诗,是王维 Poetry and painting interaction, once the poem on the painting, painting and poetry seamless, title poem can be described as “drunk ” into the picture. There are paintings in the poem, poems in the paintings, advocated by ancient literati. The relationship between poetry and painting in landscape painting is also true. Su Shi wrote in his inscription: “Momo’s poem, there is a painting in the poem; observe Mi’s painting, there is a poem in the poem .Spirit says: ’Blue River white stone out, Tamachip Hongye dilute, Wet man’s clothes’ .This is a poem of the Moxi .Or said: ’not also, the good thing to fill the mourning of the legacy’ ”(“ Dongpo title postscript ”volume“ BookMaoLantian smoke and rain figure ”) quoted here Poetry, is Wang Wei