散文的视野,主要体现在散文画面的充实和意境的深远。散文的画面,首先力求真实、具体,使人读之如身临其境,同时也要做到含蓄、深邃,使人读之能临境生情;散文的意境是情和景的交融,是意和境的统一。初中学生所写的散文,往往内容抽象、空洞,情感苍白、单调;主旨肤浅,意图牵强附会。针对这些现象,笔者尝试着从以下几个方面入手,进行有序训练,学生受益非浅。 The field of view of prose mainly lies in the enrichment of prose pictures and the far-reaching artistic conception. The essay screen, first of all, strive to be true and specific, so that people can read as immersive, but also to be subtle and profound, so that people can read the immortality; prose artistic conception is the blend of love and scenery is The unity of meaning and environment. The essay written by junior high school students often contains abstract, empty, pale and monotonous content; the subject is superficial and intended to be far-fetched. In response to these phenomena, the author tries to start from the following aspects, to conduct an orderly training, students benefit greatly.