在吴湖帆的倡导和影响下,与明代中期吴门画派斋名画的精神一脉相承的沪上斋名画在民国时期到达了高峰。本文将以吴湖帆为研究核心,展开对斋名画的研究,解释斋名画能在民国时期兴起的原因与现象,旨在填补海派绘画范畴内的一项研究空白。 Under the advocacy and influence of Wu Hufan, the painting of Shanghai Shangzhai painting, which inherits the spirit of the famous painting of Wu Men in the Ming Dynasty, reached its peak during the Republic of China. This article will focus on the Wu Hufan core research, start the research on the vegetarian paintings, explain the reasons and phenomena that the vegetarian paintings can rise in the period of the Republic of China, aiming to fill a research gap in the field of Shanghai painting.