边走边看:人们在游山玩水时,总喜欢细心看,面面看,所以说山形步步移,峰峦步步有景,所谓“横看成岭侧成峰,远近高低各不同”,“山重水复疑无路,柳暗花明又一村”。所以我们在观察自然景物时,不仅要面面看,还要上下看,远近看。早在一千多年前中国画论已提到“远人无目,远树无枝,远水无波,高与云齐”等物体远近关系,还提出了远望之以取其势,近看之以取其质的道理。所谓“势”是山川树木的气势,“质”是山川树木的本质特征和组织结构。山有石山、土山之不同,树有俯仰曲屈高低,坑廉马眼,盘根露爪之别,我们运用各种观察方法,既抓全貌,又抓具体。好的盆景,应该既有磅礴的气势,又能表现出各种山石结构和各种树木的特征,使两者结合起 Walking and watching: When people are enjoying sightseeing in the mountains, they always like to look carefully and look at each other. Therefore, they say that the mountains and valleys move step by step, “Mountain darkly, vista”. Therefore, when we observe natural landscapes, we must not only look at the surface but also look up and down and look at distance. As early as more than a thousand years ago, Chinese painting theory has referred to the distance and distance objects such as “distant people without eyes, far trees without branches, distant waters without waves, highs and clouds” To see the quality of the truth. The so-called “potential” is the momentum of the mountains and trees, “quality” is the essential characteristics of mountains and trees and organizational structure. Hill has a mountain, different from Tu Shan, the tree has pitch bend flexion height, pit Lim horse eyes, packing roots and claws, we use a variety of observation methods, both grasp the whole picture, but also grasp the specific. Good bonsai, it should be both magnificent momentum, but also shows a variety of rock structure and the characteristics of a variety of trees, so that the two combined