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戏曲作为中国的非物质瑰宝精粹之一,具有非常深厚的文化底蕴,其与国画一样,都是我国传统文化的重要表现形式。戏曲题材中国画的人物画作是一种较为传神的表达形式,使用水、墨原料,利用层叠的手法使得画家将心中所想表达于画纸之上,在其画中表现出的人物形象生动、传情,这便是国画中“写意性”的境界。本文通过对戏曲题材中国画人物造型写意性进行分析研究,理解其更深层次的艺术表达形式,以助于戏曲题材中国画创作表达愈加完美。
As one of the essences of non-material gems in China, opera has a very profound cultural background. Like traditional Chinese painting, opera is an important manifestation of Chinese traditional culture. Chinese opera characters are a kind of vivid expression of the theme of the opera. The use of water, ink raw materials, the use of cascading techniques make the painter will want to express in mind the top of the paper, the characters in his paintings show vivid, romantic This is the realm of “freehandness” in traditional Chinese painting. By analyzing and researching the freehand style of Chinese characters in opera subjects, this article tries to understand the deeper forms of artistic expression and help the expression of Chinese painting in opera theme become more and more perfect.