以陌生化理论为基础,布莱希特从剧本创作、演员表演、舞台设计等多个层面对传统戏剧进行了改造,建立起了全新的叙述体戏剧体系,这一体系强调在演员与角色以及观众三者之间建立一种辨证的间离的关系,注重戏剧艺术对社会现实的干预。 Based on the theory of defamiliarization, Brecht rebuilt the traditional drama from multiple levels such as script creation, performer performance and stage design to establish a completely new narrative and dramatic system. The system emphasizes the role of actor and role as well as The audience established a dialectical relationship between the three separate, focusing on dramatic art intervention in social reality.