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在历史的长河中,艺术家有如过江之鲫,而终成大师者,代不数人。艺术家又以画论名世者,百不得一。而画论中以书信构筑伟大理念者,则古今罕见。意大利文艺复兴三杰之一米开朗基罗数量可观的通信,多为与其赞助人的交流,成为其艺术人生传记的原始文献,与其诗歌并重。而荷兰绘画巨匠梵高的820通家书,写给支持他创作的画商弟弟提奥,构成了现代艺术思潮的华彩篇章。在中国,把个人函札作为艺术文献的,如晋人的书翰,在帖学传统中倍受重视。历代尺牍选编中
In the long history of the river, artists like crucian carp, and eventually become masters, on behalf of a handful of people. Artists are famous artists, a hundred. The theory of painting in the letters to build great ideas, the ancient and modern rare. Michelangelo, one of the three Renowned Italian Renaissance, has a considerable amount of correspondence, mostly exchanges with its patrons, the original source for the biography of his artistic life, and his poetry. While the Dutch painting master Van Gogh’s 820 Tongji books, to support him to create the art dealer brother Theo, constitutes a colorful chapter of the modern art trend. In China, the personal letters are used as artistic documents, such as Jin’s books, which have drawn much attention in the tradition of calligraphy. Chronicles 牍 selected